About the Author:
Award-winning writer Susan Meissner is a multi-published author, speaker and workshop leader with a background in community journalism. Her novels include The Shape of Mercy, named by Publishers Weekly as one of the Best Books of 2008. She is a pastor’s wife and a mother of four. When she’s not writing, Susan directs the Small Groups and Connection Ministries program at her San Diego church.
Visit the author’s website.
A house shrouded in time. A line of women with a heritage of loss. As a young bride, Susannah Page was rumored to be a Civil War spy for the North, a traitor to her Virginian roots. Her great-granddaughter Adelaide, the current matriarch of Holly Oak, doesn’t believe that Susannah’s ghost haunts the antebellum mansion looking for a pardon, but rather the house itself bears a grudge toward its tragic past.
When Marielle Bishop marries into the family and is transplanted from the arid west to her husband’s home, it isn’t long before she is led to believe that the house she just settled into brings misfortune to the women who live there.
With Adelaide’s richly peppered superstitions and deep family roots at stake, Marielle must sort out the truth about Susannah Page and Holly Oak— and make peace with the sacrifices she has made for love.
AND NOW…THE FIRST CHAPTER:
The bride stood in a circle of Virginia sunlight, her narrow heels clicking on Holly Oak’s patio stones as she greeted strangers in the receiving line. Her wedding dress was a simple A-line, strapless, with a gauzy skirt of white that breezed about her knees like lacy curtains at an open window. She had pulled her unveiled brunette curls into a loose arrangement dotted with tiny flowers that she’d kept alive on her flight from Phoenix. Her only jewelry was a white topaz pendant at her throat and the band of platinum on her left ring finger. Tall, slender, and tanned from the famed and relentless Arizona sun, hers was a girl-nextdoor look: pretty but not quite beautiful. Adelaide thought it odd that Marielle held no bouquet.
From the parlor window Adelaide watched as her grandson-in-law, resplendent in a black tuxedo next to his bride, bent toward the guests and greeted them by name, saying, “This is Marielle.” An explanation seemed ready to spring from his lips each time he shook the hand of someone who had known Sara, her deceased granddaughter. His first wife. Carson stood inches from Marielle, touching her elbow every so often, perhaps to assure himself that after four years a widower he had indeed patently and finally moved on from grief.
Smatterings of conversations wafted about on the May breeze and into the parlor as received guests strolled toward trays of sweet tea and champagne. Adelaide heard snippets from her place at the window. Hudson and Brette, her great-grandchildren, had moved away from the snaking line of gray suits and pastel dresses within minutes of the first guests’ arrival and were now studying the flower-festooned gift table under the window ledge, touching the bows, fingering the silvery white wrappings. Above the children, an old oak’s youngest branches shimmied to the tunes a string quartet produced from the gazebo beyond the receiving line.
Adelaide raised a teacup to her lips and sipped the last of its contents, allowing the lemony warmth to linger at the back of her throat. She had spent the better part of the morning readying the garden for Carson and Marielle’s wedding reception, plucking spent geranium blossoms, ordering the catering staff about, and straightening the rented linen tablecloths. She needed to join the party now that it had begun. The Blue-Haired Old Ladies would be wondering where she was.
Her friends had been the first to arrive, coming through the garden gate on the south side of the house at five minutes before the hour. She’d watched as Carson introduced them to Marielle, witnessed how they cocked their necks in blue-headed unison to sweetly scrutinize her grandson-in-law’s new wife, and heard their welcoming remarks through the open window.
Deloris gushed about how lovely Marielle’s wedding dress was and what, pray tell, was the name of that divine purple flower she had in her hair?
Pearl invited Marielle to her bridge club next Tuesday afternoon and asked her if she believed in ghosts.
Maxine asked her how Carson and she had met—though Adelaide had told her weeks ago that Carson met Marielle on the Internet—and why on earth Arizona didn’t like daylight-saving time.
Marielle had smiled, sweet and knowing—like the kindergarten teacher who finds the bluntness of five-year-olds endearing—and answered the many questions.
Mojave asters. She didn’t know how to play bridge. She’d never encountered a ghost so she couldn’t really say but most likely not. She and Carson met online. There’s no need to save what one has an abundance of. Carson had cupped her elbow in his hand, and his thumb caressed the inside of her arm while she spoke.
Adelaide swiftly set the cup down on the table by the window, whisking away the remembered tenderness of that same caress on Sara’s arm.
Carson had every right to remarry.
Sara had been dead for four years.
She turned from the bridal tableau outside and inhaled deeply the gardenia-scented air in the parlor. Unbidden thoughts of her granddaughter sitting with her in that very room gently nudged her. Sara at six cutting out paper dolls. Memorizing multiplication tables at age eight. Sewing brass buttons onto gray wool coats at eleven. Sara reciting a poem for English Lit at sixteen, comparing college acceptance letters at eighteen, sharing a chance letter from her estranged mother at nineteen, showing Adelaide her engagement ring at twenty-four. Coming back home to Holly Oak with Carson when Hudson was born. Nursing Brette in that armchair by the fireplace. Leaning against the door frame and telling Adelaide that she was expecting her third child.
Right there Sara had done those things while Adelaide sat at the long table in the center of the room, empty now but usually awash in yards of stiff Confederate gray, glistening gold braid, and tiny piles of brass buttons—the shining elements of officer reenactment uniforms before they see war.
Adelaide ran her fingers along the table’s polished surface, the warm wood as old as the house itself. Carson had come to her just a few months ago while she sat at that table piecing together a sharpshooter’s forest green jacket. He had taken a chair across from her as Adelaide pinned a collar, and he’d said he needed to tell her something.
He’d met someone.
When she’d said nothing, he added, “It’s been four years, Adelaide.”
“I know how long it’s been.” The pins made a tiny plucking sound as their pointed ends pricked the fabric.
“She lives in Phoenix.”
“You’ve never been to Phoenix.”
“Mimi.” He said the name Sara had given her gently, as a father might. A tender reprimand. He waited until she looked up at him. “I don’t think Sara would want me to live the rest of my life alone. I really don’t. And I don’t think she would want Hudson and Brette not to have a mother.”
“Those children have a mother.”
“You know what I mean. They need to be mothered. I’m gone all day at work. I only have the weekends with them. And you won’t always be here. You’re a wonderful great-grandmother, but they need someone to mother them, Mimi.”
She pulled the pin cushion closer to her and swallowed. “I know they do.”
He leaned forward in his chair. “And I…I miss having someone to share my life with. I miss the companionship. I miss being in love. I miss having someone love me.”
Adelaide smoothed the pieces of the collar. “So. You are in love?”
He had taken a moment to answer. “Yes. I think I am.”
Carson hadn’t brought anyone home to the house, and he hadn’t been on any dates. But he had lately spent many nights after the children were in bed in his study—the old drawing room—with the door closed. When she’d pass by, Adelaide would hear the low bass notes of his voice as he spoke softly into his phone. She knew that gentle sound. She had heard it before, years ago when Sara and Carson would sit in the study and talk about their day. His voice, deep and resonant. Hers, soft and melodic.
“Are you going to marry her?”
Carson had laughed. “Don’t you even want to know her name?”
She had not cared at that moment about a name. The specter of being alone in Holly Oak shoved itself forward in her mind. If he remarried, he’d likely move out and take the children with him. “Are you taking the children? Are you leaving Holly Oak?”
“Will you be leaving?”
Several seconds of silence had hung suspended between them. Carson and Sara had moved into Holly Oak ten years earlier to care for Adelaide after heart surgery and had simply stayed. Ownership of Holly Oak had been Sara’s birthright and was now Hudson and Brette’s future inheritance. Carson stayed on after Sara died because, in her grief, Adelaide asked him to, and in his grief, Carson said yes.
“Will you be leaving?” she asked again.
“Would you want me to leave?” He sounded unsure.
“You would stay?”
Carson had sat back in his chair. “I don’t know if it’s a good idea to take Hudson and Brette out of the only home they’ve known. They’ve already had to deal with more than any kid should.”
“So you would marry this woman and bring her here. To this house.”
Carson had hesitated only a moment. “Yes.”
She knew without asking that they were not talking solely about the effects moving would have on a ten-year-old boy and a six-year-old girl. They were talking about the strange biology of their grief. Sara had been taken from them both, and Holly Oak nurtured their common sorrow in the most kind and savage of ways. Happy memories were one way of keeping someone attached to a house and its people. Grief was the other. Surely Carson knew this. An inner nudging prompted her to consider asking him what his new bride would want.
“What is her name?” she asked instead.
And he answered, “Marielle…”
Excerpted from A Sound Among the Trees by Susan Meissner Copyright © 2011 by Susan Meissner. Excerpted by permission of WaterBrook Press, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Usually when we say than an author’s writing is poetic we are referring to the words. But with Susan Meissner, the poeticism transcends her words and encompasses each scene with a melodic rise and fall. This complex story spans generations of women that are irrevocably bound to Holly Oak with chains of hurt and regret.
A Sound Among Trees is told from three perspectives in two eras divided by 150 years, yet each story is directly linked and relies on the other-an effective tool so that the subtext does not feel fragmented. Susannah’s story is alluded to and referenced throughout the first portion of the book but is finally revealed in the last quarter through the discovery of her correspondance, written with the detail of a novel. With each page turn, readers are slowly led through Holly Oak’s turbulent history until they reach genesis of its legend, where fact belies fiction.
Susan Meissner has written at a story that looks at how far our imagination will pull as to believe what isn’t there based on a seed of truth that has been corrupted. Can these women break a self-imposed family curse with the past and build a future based on truth? Journey to the superstitious and historically rich South to find out.
**review copy provided by publisher**